Dave Kelly has continued to create video content about the TK7 panel on his YouTube channel, The Joy of Editing. One of the themes he’s exploring is how to use the different masks available in the Go module. The Go module was the new mask generator in last year’s TK7 update and it’s part of an evolution to simplify the mask making-process. The videos below are his most recent ones that take a look at using the Go module.
Dodging and burning is covered in the first video linked below. This is one of the most fundamental and powerful ways to us luminosity masks. The mask essentially creates a stencil, and painting through this stencil in the form of a Photoshop selection deposits either black paint for burning or white paint for dodging precisely on those parts of the image where it’s intended to have an effect. Multiple brush strokes can be used to intensify the effect in certain parts of the image and not others, and even colored paint can be applied, so it’s possible to burn and dodge with color. There is a lot of creative flexibility when burning and dodging through luminosity mask selections, and it’s a technique that can be used on almost every image.
In the next video, Dave looks at combining luminosity masks with Photoshop plug-ins like Topaz Studio. This is a really interesting application of luminosity masks and it makes perfect sense. Luminosity masks, because they are based on pixel-level data, provide perfectly feathered edges. So blending in a Topaz adjustment is very much like exposure-blending with luminosity masks. In both cases there is a seamless blend creating a natural transition between the different effects.
In the third episode of the series on using the Go module, Dave runs through several processing steps on three different images. What I really like about this episode is Dave’s experimental approach to incorporating the masks in his workflow, and experimentation is a very important part of the creative process. It’s sometimes easy to forget that generating luminosity and other pixel-level masks would be hopelessly inefficient if we had to do it manually. The Go module completely removes this barrier by making a huge variety of masks available at the click of a button. Dave shows that it’s easy to experiment and find the right mask and then apply it to achieve the desired outcome. This video also features luminosity masks being used on monochrome images. Luminosity masks have a reputation for being best suited for color landscape and nature photography. The reality is they can be used with ANY photograph, and monochrome, especially, can benefit from their ability to isolate specific tonal ranges in the image.
I find Dave’s videos enjoyable to watch as they reflect a real-world application of the panel. No one is going to use every feature in the different modules, but there’s a high likelihood that certain features will be incredibly useful. It all depends on what you’re looking to do with an image, and Dave provides plenty of ideas for incorporating different functions into the workflow.
Since many people will find Dave Kelly’s videos useful, I reached out to him and provided a discount code that he’s included in his video descriptions on YouTube. It’s works on all items on the Panels & Videos page.