TK Actions Quick Tip: Split toning

Sean Bagshaw posted another great Quick Tip video on his YouTube channel. Split toning is the topic this time and the new video shows how to customize the technique using luminosity masks. It goes well beyond the split toning capabilities of Light Room and highlights how the TKActions V6 panel and Photoshop provide a more refined approach to this process. Sean covers a lot of territory in this one. Here are some key steps to watch for in the video below:

  1. Separately tone two copies of the same image in Light Room/ACR−one warm, one cool.
  2. Open them as smart objects in Photoshop and stack them as one document.
  3. Use Layer Mask Mode in the V6 panel to make a luminosity layer mask for one of the images that correctly reveals the desired toning in that image.
  4. Modify the layer mask using things like a Curves adjustment and the Paint Brush tool.
  5. Use the smart objects to take the images back to LR/ACR to enhance the effect as needed.
  6. Fine-tune the split toning even more in Photoshop by adding adjustment layers specific to each images’ toning.

There’s an incredible amount of control possible with the steps Sean demonstrates here. I was impressed how the whole mood of the image changed as a result of the split toning process. The sun was above the background mountains in the original image, but not low enough to be casting a lot of warm light into the scene. However, with split toning, Sean essentially took this light and created an image that in the end has a strong golden hour feel to it, even creating some warm backlighting for the trees on the ridge. It’s a very pleasing transformation. I’m sure you’ll enjoy seeing how Sean does this.

Quick Tip: Split toning
Quick Tip: Cloud sculpting
Quick Tip: Exposure blending
Quick Tip: Favorite new V6 features
Be sure to subscribe to Sean’s YouTube channel for more tips on photography and post-processing.

TKActions Quick Tip: Cloud sculpting

Sean Bagshaw’s back and he’s posted another great Photoshop tip, this time on creating dramatic skies. He calls the technique “cloud sculpting” since its net effect is to bring improved texture and contrast in cloudy skies. Basically, it involves luminosity painting (painting through luminosity selections) to burn the darker parts of the clouds darker and to dodge the lighter parts lighter. The process is done on burn/dodge layers in order to non-destructively use black and white paint to accomplish this. Painting black through a “Darks” luminosity mask to darken and painting white through a “Lights” luminosity mask to lighten guarantees improved contrast since the further tones are from middle gray, the more paint they receive during luminosity painting. It’s just necessary to choose a luminosity mask that properly targets either the light or dark tones in the image.

Sean makes quick work of the image he demonstrates in the vid, but I took my time trying this as I definitely wanted to get a feel for how it worked and experiment with some variations. Below is the result of my first effort for an image I’m currently working on. You can roll the mouse over the image to see where I started from before employing this technique. NOTE: The image and the rollover might not be visible on the email feed. You may need visit the blog site if you want to see both images.

I had already worked to get a lot of drama in the storm cloud in my initial version, but cloud sculpting seemed to offer the promise of making it even better . . . and it did! There is certainly a better sense of the lightning lighting the cloud internally after cloud sculpting. I also learned a few things along the way.

  1. Zone masks are worth a try. I used “Zone” masks selected with the “Pick” button along with a higher opacity brush for burning (instead of “Darks” masks) and felt it gave me good control. I used a “Lights -3” for dodging, and that seemed to work well for me.
  2. Don’t modify the masks. While it may be tempting to modify the mask to make it more specific for either light or dark areas, clouds have a lot of softness that needs to be maintained. The straight masks generally will do a good job of keeping the clouds properly soft since they’re perfectly feathered based on the underlying tones in the image. So just try this technique first with a straight Lights, Darks, or Zone mask and don’t crank up the mask contrast before turning the mask into a selection.
  3. Smaller brushes can really target the effect. Sean used a large brush in the vid, but adding successive brushstrokes using a smaller brush worked best for me. That’s possibly because I was already working with a developed image and really wanted to “sculpt using a finer chisel.” It might make sense to start with a big brush but then decrease the size as the sculpting takes shape. The small brush also offered finer control than I could have ever achieved with an adjustment layer.

I was pleasantly surprised at what I was able to pull out of these clouds once I got started. Definitely a fun technique and worth a try.

Quick Tip: Cloud sculpting
Quick Tip: Exposure blending
Quick Tip: Favorite new V6 features
Be sure to subscribe to Sean’s YouTube channel for more tips on photography and post-processing.

New Complete Workflow video series by Sean Bagshaw: Lake Bled

I’m very pleased to let folks know that Sean Bagshaw has released his third Complete Workflow video series. This one covers his “Lake Bled” image from Slovenia from start-to-finish and uses the new TKActions V6 panel. Exposure strategy, development planning, RAW file adjustments, mask making, exposure blending, fine-tuning, and creative development are all covered. Sean makes some intricate masks for this workflow that are an important part of the blending and development process. The last two chapters are my favorites since they do a nice job highlighting the creative control possible with the V6 panel. But there’s a lot to watch and learn in all the chapters, and Sean uses the V6 panel nearly constantly as he works.

Lake Bled photo

Sean has been regularly recording Complete Workflow videos for each new version of the TKActions panel, and starting now they are all bundled into one very economically priced product. The older series feature older versions of the panel (Secret Beach–V4 panel and Northland–V5/V6 panel) , but they still demonstrate the huge variety of different techniques Sean employs to create his dramatic images. If you don’t have the previous videos, the new three-volume set is essentially a guidebook to creative development.

Sean is one of the leading instructions in landscape photography today, and I’m happy to be working with him and being able to offer his high-quality instructional videos on my website. If you’re looking for photographic inspiration, these Complete Workflow vids offer hours of ideas both for working in the field and then in Lightroom and Photoshop. The sample videos below are from the Lake Bled series.

The new 3-series bundle of Complete Workflow videos (Secret Beach, Northland, and Lake Bled) is available on the Panels & Videos page for $45. Blog readers can also use the following code for a 10% discount on this product: CWFLB10

NOTE: I’ve contacted previous customers with private update information for receiving the new Lake Bled video series at a special price. If you’re a previous customer and haven’t received the email, please contact me and I’ll forward the information. Also, there was initially some server issues downloading the new series, but these have been resolved. If you purchased the new series but are still having download issues, definitely contact me and we’ll get it fixed.

TKActions Quick Tip: Exposure blending

Sean Bagshaw is heading out into the field soon, but he managed to squeeze in one more video Quick Tip before leaving. This one covers the popular subject of exposure blending. Because luminosity masks target specific tones in an image, they’re a natural for making masks that blend multiple exposures where the dynamic range of the scene exceeds that of the camera sensor. Sean’s approach to exposure blending has been to focus on the transition zone between light and dark areas of the image to make the blend look natural. Luminosity masks can help significantly with this process since they create natural transitions based on pixel brightness. The steps Sean uses are listed below.

  1. Open the RAW files as smart objects in Photoshop.
  2. Stack the images into a single document with the dark exposure on top.
  3. Make the dark exposure layer active, but turn OFF its visibility.
  4. Click the “Layer Mask” checkbox on the RapidMask2 module to enter Layer Mask Mode. This mode automatically applies the mask generated as a layer mask on the active layer.
  5. Click the “Composite” source button to apply a “Lights-1” mask as a layer mask to the active layer (the dark exposure). This starts the blending process.
  6. Turn the visibility of the dark exposure layer back ON to evaluate the blend.
  7. Modify the layer mask to create the proper transition zone. This might involve trying a different mask, using the MODIFY buttons to modify the current mask, or painting on the layer mask with black or white paint (try setting the blend mode of the paintbrush to “Overlay”).
  8. If needed, double-click the smart objects to reopen them in Adobe Camera Raw to make additional adjustments to brightness, contrast, white balance, etc.

It’s actually pretty easy watching Sean do it. In the 15 minute video he demonstrates the process, with small variations, using three different images.

Quick Tip: Exposure blending
Quick Tip: Favorite new V6 features
Be sure to subscribe to Sean’s YouTube channel for more tips on photography and post-processing.

TK Actions Quick Tip

As many of you know, I’ve been collaborating with Sean Bagshaw for many years on luminosity masks and Photoshop extension panels. He not only feeds me ideas for improved ways to use pixel-based masks, but his videos have also been instrumental in explaining these techniques to the photo community.

Now that TKActions V6 is complete, Sean is planning to restart his Quick Tip series on how to use the new panel. This will provide a great opportunity to watch an expert using the V6 panel, to get a more in depth look at its many functions, and to pick up some creative ideas for developing images in Photoshop.

I’ll be featuring Sean’s videos on this blog and providing some commentary on the techniques, but you might also want to subscribe to Sean’s YouTube channel. That way you can get notified of the other videos that he regularly publishes. He’s got a really nice teaching style that provides a lot of information and is also easy to follow.

His first V6 panel Quick Tip is below and looks at his favorite new features. It’s less than 5 minutes long and gives you an idea of what’s coming.

“Briscoe Light”

Sean Bagshaw has a great new video on creating dappled light and light rays using a technique he learned from Chris Briscoe.

The user gets to manually create the target that determines where the light is applied in the image. It looks to be dramatic yet subtle and also quite natural when done right. Definitely worth investigating if you’re into creatively modifying images in Photoshop.

Be sure to subscribe to Sean’s YouTube channel to get his latest tips, tutorials, and updates.

TK Basic V6 panel: New and FREE!

NOTE: This free panel is available on the Panels and Videos page. It is NOT a replacement for any of the current V6 modules. It is simply a new panel for people who want a fast and simple way to start working with luminosity masks.

I’m very happy to announce the new TK Basic V6 panel for Photoshop. It has the same core process and speed as the more comprehensive RapidMask2 module, and has similar features and layout. It’s essentially RapidMask2-lite and is a great way to experiment with adding luminosity masks to the Photoshop workflow. It’s also free and comes with some great videos.

TK Basic V6 panel

Key features:

  • Rapid Mask engine. The Basic V6 panel uses the same technology for generating 16-bit luminosity masks as the V6 RapidMask2 module. New masks are calculated and displayed on screen at near real-time speeds.
  • Mask-based interface. Users see masks up front to make intelligent choices about which one to use.
  • Intuitive layout. Top-to-bottom workflow with numbered sections for creating and deploying masks.
  • Click-tracking. The last button clicked retains an accent-colored shadow. Users always know which mask they last generated.
  • Multiple output options. Curves, Levels, Brightness/Contrast and Hue/Sat adjustment layers are available in the “Layer” menu. Selection, Channel, and Apply buttons provide additional output options.
  • Compact design. Small footprint so the image window is not obscured. The panel can be conveniently placed above any standard Photoshop panel or docked at the side of the workspace.
  • Instant help. Moving the mouse over any button provides information on what it does in the window at the bottom of the panel.
  • Active selection indicator. Provides visual feedback that Photoshop has an active selection even if it’s too weak to generate selection borders or if the marching ants have been turned off.
  • Language switch. Settings dialog offers six language options for the panel’s user interface.
  • Photoshop CC and CS6 compatible. Download folder has versions that work in PS CC and CS6.

There are many ways to use luminosity masks when developing images in Photoshop. Adding them as layer masks on adjustment layers and painting through active luminosity selections are two common techniques. The Basic V6 panel makes it easy to incorporate these methods into the workflow simply by clicking a couple buttons. The panel is also a great way to to see how easy it is to use luminosity masks since the Rapid Mask engine does all the hard work in the background. Luminosity masks need to be fast and intuitive in order to become a standard part of the workflow. The TK Basic V6 panel makes this possible and is the ideal tool for quickly getting up to speed with their creative potential.

To make the panel even easier to use, Sean Bagshaw has recorded a fantastic set of six new videos that are also included in the free download. Three of them are available to watch below. The first is a brief introduction to the new Basic V6 panel. The second is probably best and most concise description of luminosity masks I’ve ever watched. And the third video is a button-by-button walk-through of the entire panel. The download folder has additional videos on installing the panel, setting up the color workspace, and workflow demonstrations on how to use the panel.

The TK Basic V6 panel and videos are available as a free download on the Panels and Videos page.

If you like the Basic V6 panel and Sean’s videos, please consider trying the all-inclusive V5/V6 panel and Sean’s V5/V6 Video Guide. This “Combo” product is a complete luminosity mask resource that allows generating an infinite number of luminosity masks with many more ways to use them. For a limited time, the following code can be used for a 15% discount on the Combo, which is also available on the Panels and Videos page:  Combo15

I hope you enjoy the new TK Basic V6 panel and find it useful. Please let me know if you have any questions or suggestions.