Sean Bagshaw’s YouTube channel has another great workflow video using the TKActions V6 panel. This one covers developing the Milky Way in a night sky image. He starts in Light Room with what appears to be a somewhat unremarkable image of the Milky Way, but with a few quick adjustments uncovers the potential hiding in the dark tones. I liked the Light Room techniques for adjusting the colors in the RAW file and the way the blue fringe around the stars can be removed.
The really good stuff happens when the image is opened in Photoshop as a smart object. Sean selects the Blue channel mask to better target the Milky Way (compared with a standard luminosity mask). He then uses classic luminosity painting to create more dramatic contrast. This involves loading Light and Dark masks as selections and painting white and black through these selections to selectively change image brightness. It’s quick and easy since the selection guides the paint to where it’s needed.
For noise reduction, Sean uses the TKActions V6 panel to duplicate the smart object so the noise reduction can be done on a separate layer and later filtered into the image through a luminosity mask. Using the V6 to duplicate smart objects has the advantage of unlinking the duplicate smart object from the original smart object. This is important since Sean reopens the duplicate smart object in Adobe Camera Raw and is able to perform significant noise reduction on it without affecting the original smart object. If the original and duplicate smart objects had not been unlinked, both the original and the duplicate would have been affected the same by the noise reduction in ACR. Instead, by creating an unlinked smart object first, strong noise reduction can be applied to the duplicate smart object to the point of blurring the stars. A luminosity layer mask can then be applied that reveals the noise reduction in the dark areas of this layer while simultaneously preserving the sharp detail of the individual stars from the original conversion. It’s a bit hard to describe in words, but watching Sean do this in the video will make it crystal clear.
The final technique is to make the stars even sharper using the “Clarity” action in the V6 panel, again combined with a Blue channel luminosity mask as a layer mask. This is a subtle change but the type of one that makes the final image look its best.
The video is just over 21 minutes long, but it seems much shorter. Sean covers a lot of territory with a several really useful techniques facilitated by the V6 panel. The change is quite dramatic and shows what’s possible even when the original RAW file looks marginal. If you’re already doing Milky Way photography or thinking of trying it, this video will give you confidence that you can indeed create a stellar image.
Be sure to subscribe to Sean’s YouTube channel for great tips on photography and post-processing including those listed below.
Quick Tip: Developing a quality night sky
Quick Tip: Split toning
Quick Tip: Cloud sculpting
Quick Tip: Exposure blending
Quick Tip: Favorite new V6 features